cochrane timmy manual

Still, you have to “squint your ears” to hear it, as Paul says. I promise I’m sti. In accordance with Paul's wishes, we are not accepting preorders. But don't worry! At its heart it is essentially the same pedal, but with some considerable tweaks. The non-reversed pots addresses those that wished for a more intuitive and conventional knob function. Note: The 15th Anniversary Timmy V3 will only be available in one color scheme: Blue with a special silhouette graphic. We'll have pics up the moment they are available to us. The Timmy pedal has always been known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. As the gain is turned up, and the pedal's EQ adjusted accordingly, smooth, singing, round and reedy tones are at your fingertips. The Timmy pedal's responsiveness is exactly like that of a great, tube amplifier in that it responds immediately to your right hand's attack. The Paul Cochrane Timmy is absolutely a legend in the world of overdrive pedals, and has been copied to a large degree over the years by several knock offs. Since 2013 we have been on a mission to bring you the best music gear for your money. Read about our review process.When you buy through links on our site, we may Learn more.When you buy through links on our site, we may earn an affiliate commission. Learn more.Available new on AMAZON Available used on REVERB. Available new on AMAZON Available used on REVERB Available new on AMAZON Available used on REVERB Available new on AMAZON Available used on REVERB Available used on REVERB Michael's Pick Available new on AMAZON Available used on REVERB From that sweet bluesy growl to the howling lead lines of heavier genres, overdrive is a must-have effect for any guitarist. It's not uncommon for an overdrive pedal to be one of the first purchases when building a pedalboard, alongside a tuner and a reverb pedal.

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Everything on the pedal works exactly as it should without any issues Please check the fields highlighted in red.Currency. Create one here. Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. He doesn't have a website. Doesn't post on social media. Participates not at all in any type of press or hype building activities. He produces 1 pedal and hasn't changed the design in 10 years. This helps us keep producing content. We appreciate it a ton! I just replaced the above image after he let me know that any Timmy that you come across with the LED between the bass and gain controls is a forgery produced out of china ?? What a bummer. Keep your eye out and report these when you spot em! This was one of the first “transparent” drives before it became the most hyped term in pedal building. This pedal also features knobs that function as cuts and so are backwards in most peoples mind. Oh well, it sold pretty well and eventually someone asked for a switch on it. There’s a lot of color variations (I owned a seafoam green one!) that are released for a lot of retailers but they all are basically the same. Few different chipsets (based on availability) but the circuit remained unchanged. I haven’t played one. Paul has posted that he’s been sending them out to people for testing for quite some time but he hasn’t sent one to me so I can’t tell you exactly what the changes are but here’s some words from Humbucker Music who is accepting preorders now. It’s now easier to dial in precisely where you want the breakup level to be. The non-reversed pots addresses those that wished for a more intuitive and conventional knob function. No more turning the bass and treble knobs up to reduce the frequencies. How is it different than the standard 4559. Paul feels it’s a tiny (and he does mean TINY) bit less harsh on the top end and a bit less saturated.

We tried it with a few different amps (Fender Bassman, Vox AC15, and Orange CR30R) and the OCD works great with all of them. You can really crank the dirt on the this pedal, and despite how bass-y and fat the low end gets, you’ll love how the quality of your tone is still so good. We love it. Their presentation might not always be the best, and the packaging is riddled with bad Chinese to English translations, but once you plug the pedals in and try them out, none of that seems to matter. The Joyo JF-02 Ultimate Drive is their clone of the Fulltone OCD that we just covered above.Anyhow, let’s not judge a book by its cover. In terms of layout, you’ll notice the Joyo Ultimate Drive is remarkably similar to the pedal it’s meant to copy. It has Gain, Level, and Tone knobs and the same small toggle switch found on the OCD. Despite its low price, we’re happy to report its enclosure is all metal, and feels sturdy. It looks and feels a bit like an MXR pedal. The short answer is that the Joyo sounds great, and it’s almost shocking that it is offered at such a low price. It stays more or less stays faithful to the OCD (it's even true bypass), but there are some significant differences. Notably, at the exact same settings, the OCD is brighter. The Tone control on the Joyo Ultimate Drive gets darker much earlier when you rotate it to the left. Think of it like a treble control. In fact, we found it to almost be unusable below 1 o’clock (too much mud, we felt like we lost clarity). Past 1 o’clock however is where it starts to open up. Even with the Gain knob all the way down, you get a nice clean boost that responds well to your playing dynamics. The Gain knob is very responsive, and dialing it up from zero to 10 or 11 o’clock makes a tremendous difference. Owners of both the Joyo and OCD have actually pointed out that while the Joyo is not as bright, it has more gain on tap (i.e. you’ll need to turn the gain knob on the OCD up more to match the gain of the Joyo).

If you're a beginner, choosing the best overdrive pedal for your needs can be a bit overwhelming. These days every pedal manufacturer makes at least one overdrive (in many cases they make a few), leading to hundreds of choices. Now, not every pedal in this guide will be perfect FOR YOU. A lot depends on your existing rig; every part of your signal chain plays a part in how an overdrive fits into things. Your own personal preference for 1) a cleaner, more transparent overdrive or 2) one that adds a lot of its own coloration and character will make some models much more suitable than others. The reason for that is that it's versatile and sounds great. A small toggle switch at the top of the pedal lets you select between LP (Low Peak) mode, and HP (yep you guessed it, High Peak) mode. Switching into High Peak mode delivers a more aggressive overdrive, and this is where you can really push this pedal. You’ll hear a definite jump in volume, along with a boost in the mids and a little bit of boost in the high frequencies. Several users of this pedal, as well as Fulltone themselves describe the Low Peak mode as a more Fender-like “cranked Blackface or Tweed-style,” whereas High Peak mode is for a more “British” vibe (ala Vox and Marshall). This comparison sounds pretty accurate to our ears as well. The Fulltone OCD is quite responsive to your guitar's volume and tone knobs as well as your playing dynamics. Play softly to keep the OCD at bay, and really dig in to unleash its power. We found the Tone knob can really increase the brightness of a dark sounding amp, or conversely tame a bright amp. Here’s a great tip: I use my OCD with gain at about 3pm so that I can access some killer solo tones and roll down the volume for rhythm playing. Excellent pedal. I leave it on all the time during gigs. The pedal is very well built, true bypass, comes with a 9V battery, and carries a very attractive price tag.

If you don’t already have any overdrive or distortion pedals, we hesitate recommending the Tube Screamer as your first one. For that, we prefer the versatility of a Fulltone OCD. If you’re a classic rock or blues player, and you either have a good distortion channel on your amp, or you already own distortion pedal, then we cannot recommend the Ibanez TS9 Tube Screamer enough. It's often mentioned in the same breath as the Ibanez TS9 Tube Screamer, which is high praise. Considering how legendary the Tube Screamer is, that’s pretty high praise. Artists like John Mayer and Billie Joe Armstrong of Green Day have used this pedal in their live setups (John Mayer used one that was Keeley-modded). Let’s find out why. Pedal aesthetics are subjective, but we'll mention the Blues Driver is a very good looking pedal, with its blue color and yellow lettering. Like other overdrive pedals, the knobs on this one won’t surprise you: LEVEL, GAIN, and TONE. Setting the Gain at about 30% gives you that crunchy Hendrix-like tone. The interplay between your guitar’s volume knob and the BD-2’s tone leaves you with a ton of fine-grained control over the amount of crunch and break-up. Roll the gain knob to between 60% and 70% to get a nice big blues solo tone, but one that still lets you articulate chords.The BD-2 excels if used to boost your clean tone, all the way to a very broken-up, crunchy sound. Right out of the box, the BD-2 offers a little bit more of that familiar overdriven sound, while the Tube Screamer is a little more particular. You can definitely get a pretty thick hardcore growl out of the Blues Driver with all knobs turned to the right. Perhaps surprisingly, a lot of the head-to-head comparisons tended to favor the Blues Driver, saying that the pedal responds better to picking dynamics, and has more “dirt” available than the TS9.

The JF-02 Ultimate Drive is widely known as one of the best pedals in the Joyo lineup, due to how good it sounds and how inexpensive it is. To most people, it will sound virtually indistinguishable from the Fulltone OCD.This iconic overdrive pedal has seen various incarnations since the late 70s, and continues to evolve. The Ibanez TS9 Tube Screamer is a reissue of the 1980s original, and is the most popular of the Tube Screamers. But enough with the trivia. Let’s talk about why the Ibanez TS9 Tube Screamer deserves a spot on your pedalboard. It does one thing, and it does it well. We’ll borrow this line from a review we liked: This is more of a vintage tube sounding boost that responds to your playing dynamics, and can provide extra bite no matter what genre you’re playing. Dig into your strings harder, and you’ll hear its character come through, depending on where you’ve set the Drive knob. Speaking of dials, you get three of them: Drive, Tone, and Level. Getting the hang of the Tube Screamer’s operation could not be simpler. There’s just a little bit of grit, with the mid bump that this unit is very well-known for. As you turn the Drive up, the TS9 really starts to shine. One thing we love is how touch-sensitive the knobs are. It’s a simple pedal, but it has a lot of range. The TS9 retains a bit of your original signal, which explains why it responds so well to your playing dynamics. One of the best practical applications for it is to use it as an extra channel. You can use your amp’s clean channel by itself, clean channel with Tube Screamer, distortion channel by itself, and distortion channel with Tube Screamer. The TS9 plays very well with an already distorted amp, and alongside other distortion pedals, letting you get that little extra something and really cut through the mix. Note that the TS9 is buffered bypass, though you can get it modded if you need it to be true bypass.

What that essentially means is that the Morning Glory retains the characteristics of your tone without too many pronounced EQ changes. There's also a Gain toggle switch, which changes the LED light from blue to red and gives you more low end grit and punch. Think of it as two levels of boost - the effect is subtle, but still noticeable (you can actually plug in an external foot switch to toggle this setting with your foot). Luckily, you can click the HI-CUT switch on the side of the pedal and tame that a little bit. A great always-on type pedal that adds just the right amount of spice to your mix. Definitely pick up the JHS Red Remote Footswitch so you can shift into a higher gear when needed. You are definitely in boutique pedal territory here which comes at a higher price, but this truly is one of the finer overdrive pedals on the market. Paul Cochrane builds these by hand, and despite the reasonable price tag the waiting list to get one can be quite long. If you're not one for waiting there are plenty on the used market. Similar to the JHS Morning Glory, the Timmy is going to retain the frequencies and tonal character of your amp, with a boost in the dirt department. The Gain and Volume knobs are no surprise, but the separate knobs for Bass and Treble let you customize your tone more than most other pedals' single Tone knob. The toggle switch in the middle gives you access to three different voicings, symmetrical clipping (down) and asymmetrical clipping (up). In our tests, it truly is about as clean as an overdrive can be (as strange as that sounds). We find it to be even more transparent than the JHS Morning Glory. As the gain increases, the signal is not compressed and definition is not lost in the low-end (unlike a Tube Screamer). Just remember it's not for everyone, especially if you want your overdrive to add its own character in the mids. According to Paul Cochrane himself it does not seem there is a significant difference in tone with these early models.

The Westwood uses electronic relay based switching and signal will not pass through the pedal without power, of which this pedal requires 15mA. The 20 decibel EQ really lets me get the most from my amp while retaining what I love about it. We played it on four tube amps and it sounded great, although different, with all of them. The crunch sounds terrifically full and as the drive increases you get a slightly fuzzy drive. The Bass and Treble knobs both have center detents, and are able to cut or boost by a huge 20 decibels. This wide EQ makes this pedal really versatile and you can really sculpt your amp to sound huge, cut through a mix, or whatever the situation calls for while keeping the your core tone. It delivers an articulate medium gain drive that responds to your playing and doubles as a clean boost thanks to a wide active EQ. Enter the overdrive pedal. That said, it can play several roles in your setup, regardless of genre: This can typically be dialed in by a pedal's DRIVE knob. Even at its highest settings, the results are going to be more tame than what you get out of a distortion pedal. The result will completely vary on your amp and pedal combination, and how you dial in your pedal.Just like above, there are thousands of permutations here, and experimentation is key. If you start out with all the knobs cranked it might be an incoherent mess. It's just generally accepted by guitarists as the lighter version of distortion. We know it's a gross oversimplification, but in practical terms that's how it works. There are many variations in circuitry, price points, tone shaping options, and it's hard to say what's objectively better or worse. In practice this is a subtle detail, and if you're just starting out you probably shouldn't worry about it as much. I know it, you know it, and your guitarist buddies all know it.We periodically review and revise this list as new pedals are released.

Check out some YouTube videos of both and see which is better suited to your playing style; although we gotta admit when we played them side by side, it was difficult for us to even tell a huge difference. If you’re leaning towards the BD-2 you might also want to look at the Boss BD-2W Blues Driver Waza Craft. Check out our note below. They do however come with a higher price tag. So, is the higher price of the Boss BD-2W worth it. Some people say there’s a subtle difference (more low end and reduced noise for instance), some people say it’s too close to tell and thus not really worth it. We’re a bit more in the latter camp, though if you have the spare cash you might as well go the Waza Craft route since it’s a more “premium” pedal. The really interesting part is that you can have them both on simultaneously, and a toggle switch controls which way you want to stack the two.LEVEL, GAIN, and TONE knobs act exactly as you would expect. The pedal has a beautiful paint-job and is built to Robert Keeley's exacting standards (hand built in Oklahoma, USA). The top-mount jacks are a nice touch. The headroom on this thing is ridiculous, and makes it ideal for stacking with whatever other pedals are on your board. In fact, think of the drive side as a slightly modified OCD circuit, and the boost side as a modified Klon. We also very much can appreciate how nice it sounds at low volumes, and just like any pedal of this type, it comes alive when you crank it up. As a boutique pedal it's not exactly cheap, but given what all you're getting, we dare call it a steal. Comes with a brief and helpful manual. There are tons of features packed in here, including a boost. Blue LEDs on the knobs make them easy to see in dark smoky venues. The tool-free flip-out battery compartment is brilliant. If you demand versatility out of your dirt pedals, you'll enjoy the Santa Ana.Going too far over that makes it sound too dirty in a bad way.

The FET-equipped Santa Ana Overdrive provides a straightforward flavor of drive and sounded very nice on every amp we tested it on. Its high price tag can be somewhat justified by the inclusion of a boost, and we recommend it if you're looking for voicing and tone shaping options beyond what simpler OD pedals provide. The Soul Food lets you dial in some thick bluesy overdrive, and excels as a clean boost. You've got three knobs to play with, VOL DRIVE and TREBLE that are very sensitive and respond as you'd expect. If you remove the pedal's bottom cover you'll find a switch that you can toggle between True Bypass and Buffered Bypass. Most of what you'll play with here is the DRIVE knob. Starting with the Drive knob in the fully counter-clockwise position showcases how well the Soul Food does as a clean boost with ridiculously high headroom. As you crank the Drive you'll get more of that classic bluesy distortion. The Soul Food is definitely a little mid-range heavy and nasally, but that's by design as it is meant to make you stand out in the mix. It's very versatile and easy to use, and a very affordable way to get those Klon Centaur vibes. It works well as a stand-alone drive or clean boost, but we liked it even better when we stacked it with other dirt pedals. After all, this is the company behind the storied OD-1, which in 1977 was the first overdrive pedal on the market. But don't let its spartan looks and modest price tag fool you. It's a very capable overdrive pedal and has been used and abused on hundreds of pedalboards of pro artists. It works well as a boost into an already overdriven amp, with the DRIVE knob set to 0 and the LEVEL turned up. However it truly shines when paired up with other dirt pedals. If you want it to be true bypass, you'll need to mod it. It's certainly not transparent, it's a little noisy, and even a little unpredictable.

In terms of electric guitars, we used a variety of single-coil and humbucker pickups, as well as solid body, semi-hollow, and hollow body guitars. Well, we crunched the numbers on Equipboard to reveal some fun facts about the most used overdrive pedals. He likes rock of all types, from classic to punk to metal. Michael co-founded Equipboard to satisfy his curiosity around what gear his guitar heroes use. Read more He plays the piano, guitar, drums, and had a brief stint signed to a label as an electronic music producer. Read more The blues driver is its own ground up design.Most will be starved plate designs, particularly affordable ones that run on pedal board voltage. You're not really using the tube for much. Its gimmick. The better ones have a sound if you're into that sort of thing. A preamp tube wants hundreds of volts to perform as designed. Don't hesitate to publish your own ad if you want to buy, sell or exchange this product. You can also: View classifieds for the Paul Cochrane products View classifieds in the Overdrive pedals section By using our services, you agree to our use of cookies. Find out more. Subscribe to our free newsletter Before I got one I was promised the best transparent overdrive pedal money could buy. This was interesting to me because I was tired Tubescreamer style pedals that would turn my sound to mid heavy spikes. As soon as I switched on the Timmy everything changed. Tons of pedals claim they can do this but the Timmy does it.really. The controls are simple. Usually you can leave everything on noon and adjust the gain to taste. I have a Friedman Brown Eye which can be bassy at times. I just take the bass knob down on the Timmy and i'm good to go. It's really that simple. The EQ is perfectly responsive. The volume sometimes need to be set a little low to match levels, but that's what it's there for. I actually own two now I love it so much. One is set with gain at about 3 or 4. The other at noon. Stacked they sound awesome too.

The best thing about the Timmy is that you can't tell it's on. It sounds like you're magically adding gain. Theoretically, a clean boost should do this. The Timmy just does is much better. What can I say? I can't give it a 10 because they are hard to get a hold of. There is an 8 month wait and if you want one now you have to find a used pedal and pay the price. It really is worth it though. If I had to dream up an ideal overdrive, it would be the timmy. Cochran builds a quality product.and sturdy too by the way. Never had any issues. By using our services, you agree to our use of cookies. Avenged Sevenfold Auction Off Gear To Support Music Education Today: the Paul Cochrane Timmy. So, what makes such a relatively affordable pedal so coveted? Both the Tim and Timmy pedals had the same basic overdrive circuit and controls, with volume, gain, treble, and bass knobs, but the Tim was a bigger pedal with a foot-switchable 2-knob boost function and a 3 position diode selector. The main changes were the repositioning of the controls, and the introduction of the Tim’s diode selector. The pedal is still being made today and has long outlived the original Tim.Naturally, as this started to happen, more people became interested and placed orders. It has the 4 main controls and nothing more.This green box, again, follows the pattern of the original Timmy, but it’s now in an even smaller micro housing.This is pretty much a Timmy on steroids.Personally, I think it’s too cheap. So this is a good deal if you’re willing to wait. If not, check out any of the options I suggested. How about reviews of the hottest new guitars out there. How to write better songs, or improve your tone. Click here to read more articles! We only send about one email a month. 110% spam free. The new V3 pedals are coming soon, stay tuned for us to announce them when they arrive.

This special batch of Timmy Pedals are custom done in Red with Black Graphics made just for The Guitar Sanctuary For those desiring the legendary tone of the Paul Cochrane Tim Overdrive in a simpler, more space efficient size the Timmy offers all of the tone of its larger sibling, but lacking the send and return jacks as well as the boost channel and boost controls. The Timmy pedal works in conjunction with your amplifier's natural tone to add anything from a boost to a strong overdrive without changing the overall character or architecture of your favorite amp's tone. Any order placed before 3pm CDT Tuesday through Saturday is processed for shipment the same day. Orders placed Sunday-Monday will be processed for shipment the following Tuesday. For Free Shipping items, Effects pedals and small goods items are generally shipped via USPS Priority Mail, and Guitars and Amplifiers are generally shipped via UPS Ground. Due to our central location in the middle of the US, most orders will be delivered within 1-3 days delivery time. Other shipping methods are available (at an additional cost), including next day air. For fraud prevention, will only ship to confirmed delivery addresses for your PayPal account, or the confirmed billing address for your credit card account. Please call us directly at (972)540-6420 if you have any questions regarding shipping for your order. As a blues musician, I don’t really need high gain-I want a light grit and a slight volume boost. This box can easily go from clean boost to classic rock. Was this review helpful to you? Great customer service. I highly recommend them for your next purchases. Was this review helpful to you? Love the custom red color. Guitar sanctuary was fast and easy, ordered on Friday night, arrived Monday. Would buy from here again. Was this review helpful to you? The Timmy OD Pedal is hard to come by in my area. Sales person was prompt to check and polite. I placed my order online.

I got a purchase notification near instantly, and shipping confirmation very shortly after that. The order was placed midday Saturday, and I received the pedal the following Wednesday. Very pleased with my experience, and would purchase from GS again with full confidence.Thanks to Guitar Sanctuary and Brian for the info on the pedal and the prompt shipment. Love the Sanctuary Red Timmy Overdrive. Was this review helpful to you. There are differences in functionality but the real beauty lies in the circuit both pedals share. Its simple but insightful design lends it to be one of the most transparent tones available in a pedal today. The overdrive ranges from a totally clean boost to a creamy and smooth front end smack. The EQ is also fantastic allowing you to tailor the way the pedal works with the amp. Used as a clean boost, an OD or stacking with other pedals, the Timmy is truly outstanding and totally deserving of its stellar reputation. The Hotcake is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. With the Drive and Presence controls set to minimum, and the Level at around 2 o'clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. You can get a clean volume boost by increasing the Level control. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds. The Hotcake also handles chords well. It is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier's effect loop. Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion. A wide range of sounds are available from this modern classic.

It can produce transparent boost to warm rich overdrive tones, all with the signature mid-range boost that it’s famous for. The KTR is designed to overdrive the amp further into breakup, producing a lively and dynamic lead tone. The Treble control is very powerful and capable of providing subtle gradations in high-frequency response. It is usable and natural-sounding throughout its entire range; experiment Different amps and pedals have different input-stage headroom characteristics, so take some time to experiment with the Output to find whatever setting gives you the best results with your particular rig. In this mode the circuit has enormous headroom and will not generate any distortion of its own. Clean-boost enables you to hit the front end of your amp harder, or the next pedal in your signal path harder, without changing any of the essential characteristics of the signal. The KTR, allows the user, via the switch, to choose between buffered output or so-called true-bypass output the former almost always yields a signal with more presence than the latter. Do not attempt to power the unit with more than 9 volts, as damage to the circuitry will result, necessitating the replacement of the entire circuit board; please note that this kind of damage is not covered under the unit's warranty. Expect about ten hours' life from a new Duracell; replace the battery whenever you hear a loss of dynamic range, a high-pitched tone (the symptom of a weak battery). It's 100% designed by the original manufacturer, Bill Finnegan. This pedal is straight ahead and completely intuitive. A wide range of sounds are available from this modern classic.While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end. The pointers on the knobs now are GitD Glow-in-the-Dark.